04 August, 2012

SCA Project Update


Hi everyone!
I'm on a blogging spree this week! :D
I thought you'd like an update on my current SCA projects. This is likely to be quite rambly but I'll do it in sections so that you can skip past the things you don't want to read.
The sections will be 1. College Stuff, 2. Garb, 3. Other Stuff
College Stuff
With second semester underway there are two things that need immediate attention, and that is College Challenge and our OGM.
Roobi is stewarding College Challenge and I've been helping out with logistical stuff - especially since it has become extremely difficult in that aspect due to Official SCA Business such as insurance and GST. I am really trying to encourage Roobi to do most stuff herself though, because getting newbies running things is a crucial part of being in a College.
The Guild requires us to hold an Official Meeting every semester which means that we need an OGM. On Monday I have to advertise our OGM in G-News and put up posters (which is stupid, but that's Guild policy for you). I'm hoping to get some newbies doing bigger jobs this OGM - ideally switching out my beloved executive committee for some fresh faces! Although I will miss referring directly to Dylan&Alana for College business :P
My other big thing for the College at the moment is to make sure that people do useful stuff at training. I'm cool with people studying at training but once last semester I had four or five people playing Minecraft on their laptops. Not cool folks, training is for doing stuff!! So I'm encouraging people to bring projects to work on or to come prepared to work on College Projects (such as the Round Shields project) so that they're actually using training for something worthwhile. I also intend to start a Chair Covers project soon, once I go through the College Fabric (yes, there's College Fabric and yes, the Chair Cover project is primarily designed to use up this fabric so that I don't have to keep it in my house!) Hopefully if we have enough stuff for people to work on and we keep everything busy and interesting then lots of people will still come to training and it will actually be productive.
Garb
Have I blogged about my never-ending hat project? Well, for a while now I've been researching a particular style of hat from the late 15th century (French/English). This project has been just an interest but after learning heaps of cool stuff from people at Rowany Festival I've decided to get more serious about it. Today I collated my documentation, which at the moment consists of a list of different possible constructions (some from books, some from websites and some that people described to me at Festival) and a whole lot of artwork from the period depicting this hat. I came up with a total of 6 possible constructions and I haven't found any evidence from the period that supports any particular construction (there's one that I'm pretty sure is wrong but I want to try to anyway, for the lolz I guess). Now that I'm organised I'm going to make all 6 of my possibilities (probably out of calico or scrap fabric). When I've done that, I'm going to choose the ones that look closest to the examples in the artwork (I'm hoping only a few options turn out looking right) and then I'll make them in linen, which of course is the historically accurate fabric choice, and do my documentation up all pretty and maybe put the hats in a competition. Or something. I don't know yet really but as long as I end up with a cool hat at the end I'm pretty much good with it! :P
I blogged about one (or both?) of my practise kirtles earlier. Now I'm getting started on my real kirtles! I have all the linen I need (must prewash!!) so I have no excuse left. On Thursday at training, Aimee helped me to pattern a bodice to use for my kirtles. Unfortunately, it didn't go as well as we'd hoped and although Aimee assures me that the pattern will work fine when I try it in the canvas that I'm going to use as interlining, I'm a little worried about it. Not sure if the problem was the stretchy calico, our patterning skills or my lumpy-bulgy body but whatever the case I'm not feeling confident about this pattern. And I really need to feel confident about it because I'm using my linen for it so it has to be perfect :3 of course, I may have made it trickier by requesting that we pattern the bodice without adjusting down the front of it - I want to focus just on the side-seams so that I can easily convert the pattern to front lacing or side lacing as required. I wish I could remember how we patterned my black Italian... :( anyways, my current plan is to turn the calico pattern that we came up with into a canvas pattern and try it on as best I can, just to see if Aimee is right and it will work perfectly in a more rigid fabric. I think she's right, she's pretty smart about these things! Once I get my pattern working the rest of the project should be fairly simple - I actually enjoyed making my practise kirtles so hopefully I'll enjoy sewing the real thing! I haven't started to work on the documentation for these yet but I am going to try to do some up. I'm not sure how detailed it will be - definitely not as good as my hat documentation because I'm not as obsessed with 16th-century kirtles as I am with 15th-century hats!
Cotehardie! This project is still quite a way off because I want to finish my kirtles before I start the cotehardie project. At Festival I bought some beautiful blue linen. It's quite light so it won't do for a supportive garment but it will be pretty good for an overdress. When I saw it I immediately decided that I wanted a blue cotehardie, so I quickly asked Erin how much I'd need and that's how much I bought! I'm planning to order some heavier linen when it comes time to do this project - I'll do a long-sleeved proper supportive cotehardie in some kind of yellowy-goldy-browny colour I think and then a short-sleeved over-cote-thingy in the blue, with gold buttons. I'm planning to ask Erin and/or Catherine for some help finding pictures as evidence. I don't necessarily want to do up proper documentations but I want to have the resources available, and I'll feel better about making it if I know for sure that it can be documented. Also I'll have a look at hat options because hats are cool. I need more hats.
Other Stuff
So, I'm planning to run Bal D'Aneala this year. I technically can't say that I'm running it yet because it has to get all approved by council and that sort of thing, and someone might put in a better bid and then they would be running it. But I am really super hoping that I will get to run it. Heck, I'm even going to council to make it happen so surely I get points for that. I wish council was still at Tex's place :( I have heaps of ideas already for a theme and competitions and how I want to set up the hall. I have a date picked out for it but I haven't booked the hall yet; I plan to do that in the week before council so that all the hall stuff gets sorted out in a short time, rather than dragging out the stress-times for longer. The only thing that I haven't decided is how to do the food... :S food is pretty important at an event and I really want to run a good event. ... if you're reading this and you feel like running a kitchen at the ball (mostly heating stuff and serving it at appropriate times) please let me know! :P I do have some ideas (thank you thank you thank you to Catherine who let me know what's been done in the past, it was very helpful) so hopefully I can make a proper decision soon. It's funny, as I type about this I'm adding more to-dos to my list (check date with B&B, check date with Alanarama because she needs to run a Bardic competition, etc.) Anyways, I'm quite excited about the idea of running it (if I run it) but in the end it's going to be the Best Event Ever no matter who runs it because, you know, it's the ball. I love to dance :D
A while ago I had an idea for a tourney. I'm definitely not going to run it anytime soon but the idea is rattling around in my head so I might start planning it anyway... I want to run a Canterbury Tales themed tourney. I thought it would be fun because lots of people have beautiful 14th-century garb so everyone would look cool, and because Chaucer rocks. Some ideas I have is to have the actual tourney part themed in some way around the Knight's Tale, like your consort for the day is your personal "Emily" and maybe something about Arcite and Palamon and their fight to win her love. Hmm... anyway, during the day people could read out bits from the Canterbury Tales and every little bit of the event would have a different Tale as its theme, like a Wife of Bath A&S competition, or a Prioress Pot-Luck or something. I don't know. Like I said, it's all just rattling in my brain. Hopefully one day it will take form coz I think it would be really fun and a little bit of literature at a tourney is always a good thing. I hope it won't be too much for the minuscule brains of the armoured combatants! :P
Also, I'd like to learn embroidery. Maybe I'll have a talk to Branwen or Tex and see if they might start giving me lessons. I would really practise it like a good student, I triple promise!! It would be so cool to learn all that stuff and then I could do blackwork on my 16th-century shirts and that sort of thing. I wonder what type of embroidery they did in the 15th century...? Anyway, that's another thing.
Done!
I think that is pretty much everything that is going on in my SCA life. Quite a lot of stuff but some of it is super easy and lots of it is still just conceptual or in the not-really-started part of the project.
One thing that I didn't mention is my dyeing project. I have bowls and alum and onion skins and wool - basically everything that I need to do some dyeing. But, I've been putting it off and putting it off so I'm going to be realistic and say that my dyeing project is on hiatus. I will get back to it eventually, that is for certain. But I'm not going to get back to it anytime soon so I don't want to write about it as a project on-the-go. I've lost interest and while I realise that it's important to finish every project that I start, I don't want to stop enjoying myself while trying to stick to that. The dyeing project is now no longer on a back-burner, it is off the stove entirely (but maybe still waiting on the bench to be put back on to cook at a later date). Analogy win!
Hope this was interesting for someone :) I'll try to update again soon - maybe when I've actually made some progress on any or all of these things!
♥Nancy♬

02 August, 2012

Hair Taping

Hi everyone,
After a request from the lovely Elimy (read her sometimes-literary sometimes-make-uppy but always very good blog here: http://elimy.blogspot.com.au/ ) I've decided to have a quick word about hair taping.
Myself and my friends (shout-out to Aimee and Alana!!) do hair taping because it is a historical method of hair-styling. I usually think of it more like hair-controlling, because sometimes you really just need your hair out of the way, and this is a great way to achieve it. The most important reason that I like it is that my medieval hats don't like to stay on my head unless I have a hair-style (such as a hair-taped-style) to keep the hat stuck on there!
At Pencampwr, Aimee and Alana did my hair. I honestly have no idea what method they used to tape it up but it was different from the method that they used on Feast Night to tape up their own hair in the Italian style.
Here's a picture of us in our Italian gowns with our taped-up hair-styles:

From left to right: Aimee, Alana and Nancy. Aimee and Alana have their hair taped in an Italian style. I have my hair taped in some other style, that may or may not be historical and/or Italian, but it definitely held my hat on during the day and looked pretty cool at night.
Photo credit: this is stolen shamelessly off Alana's facebook. I think Michael took it. Used according to the copyright law of "it belongs to my best friend so she won't be mad at me."
I was going to include a photo of our fronts, too, but it won't upload D: feel free to trawl facebook to find a picture though - it's likely that I'm tagged in one so it should be easy to locate, and I'm pretty sure everyone reading here is my facbeook friend! :P
Hopefully someday soon the girls will teach me how to do my hair the Italian way, which is how they're wearing their hair in the above picture. It looks so good!
The way that I had my hair there was pretty simple. They braided my hair into two plaits, twisted them up around my head and then sewed them on (with a ribbon and a blunt needle).
At our most recent event, Anealan Midwinter, I wore my hair taped in an entirely different style. Unfortunately I had no pictures but it's easy to describe.
I had my lovely sister Eileen braid my hair into two braids. While she did this, I held a ribbon at the top of my head (in the middle of my head I held the middle of the ribbon). Eileen treated the ribbon as if it were another strand of hair, working it into the braid. By the end I had one piece of ribbon going across the top of my head, ribbon braided through both braids and a length of ribbon hanging out of the end of both braids.
When I got to the feast, I wrapped the braids around my head (I wrapped down around and up and the ends of my braids ended up on top of my head so I had to tuck them in, it was very inconvenient). Then I continued wrapping the excess ribbon around my head, tying it off at the nape of my neck.
This method was very quick and easy to do, but of course nothing that easy ever really works out how you want it :/ naturally, during the evening, even though I had this hairstyle tucked away under my slightly-too-small hat, it began to cause problems. Because the braids weren't actually sewn into place, they moved on my head. And then my hat wouldn't stay on D: which mostly wasn't a problem, until we started dancing and all the bouncing was throwing my hat off, so Aimee had to quickly retie my ribbons on the dancefloor so that my hair would stay up.
Moral of the story: don't skip the sewing!! Even if it is quicker that way and easier on your sister.
I can't find the website that I usually look at for hair taping info so I'm going to link you to two that I just googled (but have read before, I promise).
This one has very detailed instructions on a method of Italian hair taping. It may even be the same method that Aimee & Alana use! The reason that I've linked it is that it contains a gallery of pictures that might clarify some of the instructions. It also mentions the method that I used (the pin the ribbon to your head and braid it in method) so at least I feel like that was a legit way to do it! :P
This one was written by an SCA person for the SCA, so at least you can be sure that it's documentable pre-1600! It's good in that it offers two differing styles with clear diagrams along the way. Notable here is that she recommends hair-twisting rather than braiding, which seems to match the pictures that she provides as evidence. However, I see no reason why you couldn't adapt these methods to involve braiding because I know I, at least, would find that a lot easier than twisting.
My personal area of interest is not the Italian renaissance. I prefer England, particularly in the late 15th and maybe the very very early 16th centuries. I haven't found any pictures that document hair-taping-styles in England in this period. But I haven't looked very hard yet and I'm hoping that I find some in the future, because it is a really super convenient hair-style!
I recommend trying it out, even if it's just for fun. :)
♥Nancy♬

01 August, 2012

Experiments in Hair Care


Hi everyone!
Firstly, let's disregard the fact that it's been a really long time since I last blogged. I'm sorry, okay!! Anyways, now that that's over...
What I'm about to tell you may seem shocking. Not shocking in an "oh a surprise party!" way, more like shocking in an "eww stinky" kind of way.
So here it is: up until yesterday, I had gone 2 months without washing my hair.
...
Before you freak out, that statement is more shocking than it really needs to be because I'm being fussy with my definition of "washing."
Have I treated my hair in a way that removes dirt? Yes.
Have I treated my hair in a way that removes oils? Yes.
Have I treated my hair in a way that makes it softer and easier to brush, etc.? Yes.
Have I put chemical-based shampoo and/or conditioner on my hair? NO.
So now that I've clarified how I actually was not completely disgusting throughout this hair care routine, let me tell you all about it. And just for the record, when I say "wash" the implication is that it involves shampoo, unless I specify otherwise.
A number of things led me to decide to (temporarily) join the No-Shampoo movement. First and foremost was the fact that, before I did this, I used to have to wash my hair all the damn time! Usually I washed my hair every second day, or every third day if I was being lazy, or occasionally every day if that's what it took to keep it looking nice. The second reason is that I used to use a lot of shampoo and so I went through it really quickly, and it doesn't exactly grow on trees. The third reason is that the shampoo I use, Herbal Essences, contains sodium laureth sulfates (as do most shampoos) which are really bad for the environment. The last reason definitely impacted me less than the other reason but I guess it contributed: I started thinking about how people treated their hair before all these chemical products were around to strip them of oils.
Anyway, I did a whole bunch of research before I started. I read lots of websites about the No-Shampoo movement, I read a lot about natural hair care and hair care on a budget. I read testimonials from people who had tried it. And then I jumped right in.
How do you take care of your hair without chemicals? Well, I "washed" my hair once a week using these household products:
* bicarbonate of soda
* apple cider vinegar
I used about a tablespoon of each.
The bicarb functions as a shampoo replacement and if you remember your high school chemistry then I'm sure you can work out why - it's a mildly alkaline substance and alkaline substances are cool because they help to break down lipids (that's fats and oils). So when it comes to oily hair, bicarb is actually pretty good at "washing" it. I tried two different methods. The first was to make up a paste of bicarb and water and gloop it all over my hair and then rub it all in. Bicarb isn't sudsy so you can't really work it in a lather the way you do with shampoo. That way probably the weirdest part for me - the lack of bubbles. The other way I tried was just to dampen my hair and then rub dry bicarb into it in the same way. This was the method that I stuck to, just because it was quicker and going for an easier hair care routine was half the point of doing this crazy hair care experiment!
I thought of the apple cider vinegar as a conditioner replacement but really what it did was more like clarifying than conditioning, I think. It's a subtle difference. It's also mildly acidic so I figure it probably balanced out the alkaline bicarb, which was probably good for my skin or something. Using apple cider vinegar on my hair was actually pretty easy - I had it in a bowl and I just dipped my hair into it. It didn't need to go on the top of my head, just like the bicarb didn't need to go down the lengths of my hair. In case you're wondering: no, I didn't smell like vinegar all the time. I was really careful about rinsing my hair and when it was dry it didn't smell at all.
Even if you accept that baking soda and vinegar did a good job of "washing" my hair (which, to be honest, they actually did) there's still the problem that I only did this once a week. Through the rest of the week, I did two things to take care of my hair and keep it looking nice:
1. rinsing my hair with warm water - sure, it doesn't make it oil-free or give it that just-washed look, but it gets any dirt out and it spreads out the oils so that my hair didn't look disgusting at the roots. I did this nearly every day and it actually worked pretty well.
2. brushing my hair with a natural bristle brush - these brushes are made specifically to redistribute whatever dirt and oils might be in the hair. I brushed my hair from roots to tips with a bristle brush and it kept it looking nicer a bit longer.
So what were the results of this crazy regime?
Well, for the first couple of weeks, my hair was pretty gross. I kept it tied back all the time and really tried my best not to just give in and shampoo it. But over that first week I noticed my first hair change: I was losing less hair!! This point will become more important a little later. At the time, it was just enough to inspire me to keep going - at least until I hit the 6 week mark, which the internet told me was the maximum time it would take for my hair to adjust.
At about the 2.5 week mark, Pencampwr happened. In case you don't know, Pencampwr is a really big camping weekend with the SCA. I "washed" (with baking soda & vinegar) my hair on the Friday morning and then went camping. My hair looked pretty good after the "wash" but I knew that by Monday when we went home it would be really oily and gross. But, in the end, I was wrong! I kept it tied up in a plait and during the day I wore a hat - this helped to keep the dirt off so that was pretty good. On Saturday afternoon, Aimee and Alana sewing my hair to my head in braids, which might sound insane but it actually looks really cool and it made my hat stay on, so that was awesome. Now I don't really know if my hairstyle and keeping my hat on all weekend made a difference to how my hair looked later, but I figure it's worth mentioning anyway. It might have been the hairstyle. It might have been the hat. It might have been that my hair was actually adjusting to not having the oils brutally stripped from it every two days...
Whatever the reason, when I got home on Monday, my hair still looked pretty good. Ideally I would have given it a water-only wash on Monday, but I decided that was too much effort. I didn't even untape my braids from my head! And because I didn't have to go out anywhere on Tuesday, I didn't touch them then, either! Admittedly, by the time Wednesday came around my hair was looking pretty oily. It didn't look dirty - there is a difference between dirt and oil, that's something I learned through this experiment - but it was way shinier than I usually like my hair. So I bicarb-and-vinegar washed it, and it was fine again.
But can you believe that? I went all through Friday, Saturday, Sunday and Monday with my hair looking great and Tuesday with it looking pretty okay before I had to "wash" it on Wednesday. That's at least 4 whole days. I could never have gone 4 days without shampoo before! My hair had started to adjust.
After that the whole routine got easier. That is, until I got lazy. I decided that putting vinegar on my hair was just too much trouble so I stopped using it. BAD IDEA. I can't tell you for sure what the vinegar actually did to my hair, but the result of leaving it out was that my hair got really really dry. Sure, it looked neat and clean and non-oily on top. But the lengths of my hair (which are usually very soft and conditioned) were all gross and stringy and dry.
Before I went back to using the vinegar like I should have been, I decided to try a different hair treatment. After all, if this had happened during my previous hair care routine, I would have done a deep-conditioning treatment (I have a good one from Dove that I highly recommend). In keeping to my all-natural hair care thing, I bought a jar of coconut oil from the health food store. Coconut oil is pretty cool in that it's a solid in the jar, but the heat of your hands is enough to melt it. What that means is that I just had to scoop out a chunk of oil and then I could smooth it all through the lengths of my hair. I tried to use just a little bit, so that my hair wouldn't look too oily or smell too coconutty. And then I braided up my hair and went about my day.
Firstly, coconut oil does work well as a deep conditioning treatment. My hair was immediately softer and smoother and easier to brush - just as if I had used a chemical-filled conditioner like I used to. I spent that day obsessed with touching the ends of my plait because it was just so damn soft!! But coconut oil as a hair care product does have it's obvious downside: it's an oil. So yes, it made my hair look oily, which is gross.
Because coconut oil is so soft and melty, I had hoped I'd be able to rinse it straight out with just water. It mostly worked, but my hair really didn't look as good as it should have so the next day I bicarb-and-vinegar washed it. That worked perfectly! My hair was all conditioned from the oil, it was de-oiled by the bicarb and the vinegar had done it's thing so that it wasn't all dry and stringy or whatever.
For the remainder of my hair care experiment, I stuck to bicarb-and-vinegar washing my hair once a week and only-water washing it every day or second day. And you know what? It worked pretty well.
Here's the main downside: in a No-Shampoo regime you're only meant to treat your hair with chemicals once a week. More than that, and your scalp gets dry and irritated which leads to excess oil production (No-Shampoo fans will tell you that that's why you have to shampoo your hair so often, and in general I guess they're right about that). But for my hair, which seems to LOVE producing oil, bicarb-and-vinegar once a week just isn't enough. Bicarb-and-vinegar every 5 days might have been okay, but then it's harder to get into a routine and washing my hair more often would have defeated the goal of the experiment, which was to find a hair care routine that was easy and less work.
After about 9 weeks in total, I decided to go back to a normal hair care routine. My reasons for this are quite diverse. Firstly, you've gotta admit that it's a little weird to wash your hair with food products - normality was calling me back into its fold. Secondly, I keep my shampoo and conditioner in the shower but when I wanted to bicarb-and-vinegar my hair I had to go fetch some from the kitchen, which meant that it wasn't really quicker or easier at all. And thirdly, using bicarb-and-vinegar to wash my hair eliminated all the dirt and thus all the smells, which was a good thing. My hair just smelt like... hair, I guess, which really smells like nothing... for the whole time. But when I wash my hair with shampoo and conditioner, my hair smells all exciting and fruity! :D that's why I use Herbal Essences products, because they smell good.
Before I washed my hair, I decided to do one last natural treatment - I coconut oiled my hair again. This time I used way more because I was just hanging out at home. I oiled my hair and let it sit for an hour while I watched a lecture (productivity, yay!)
Then I washed my hair.
The first thing that was different was something that I did on purpose: I used way less shampoo and conditioner than I used to. Measuring out my bicarb and vinegar has taught me something about portion control. I don't need a million litres of shampoo and bubbles to clean my hair. So I used just a small amount of shampoo, and then just a small amount of conditioner.
There was something really comforting about having bubbly hair again, so that is one thing that I am glad about washing my hair properly again.
This is going to sound crazy, but shampoo is actually not that good at cleaning hair. I shampooed my hair twice, to make sure that I got the coconut oil out. The next day: still looks oily D: seriously, I know for certain that if I'd used bicarb then all the oils would be gone. So that's weird and sucky :/
But I've resolved to keep doing one more thing from my crazy routine: I'm going to wash my hair less. So now, instead of washing my hair 4 times a week, I'm going to wash it twice. I'll keep doing water-only washes because I found that it's actually a good way to refresh my hair without plastering it with chemicals. So my hair will just have to stay tied up now and wait for its next wash lol.
Another difference is the feel of conditioner as compared to vinegar and/or coconut oil. It's a really weird feeling. Conditioning my hair, even after I washed it out, didn't make my hair feel clean, it made it feel slimy. I've heard people talk about Pantene saying that it coats the hair, so I wonder if Herbal Essences does that too. I don't think I want my hair coated :( and the slimy feeling was not sexy at all. :( But something that is a huge improvement using conditioner rather than anything else is that my hair became infinitely easier to brush. So nice!
The other big difference I noticed going back to shampoo is the one that I am the most upset about. I actually mentioned it before - way less of my hair came out while I was washing it with baking soda. But from that very first shampoo wash, I lost SO MUCH hair. D: Seriously there was just an insane amount of hair falling right out of my head. Over the last 2 months, I have washed my hair with much gentler chemicals but the way I've been treating it physically has been a lot rougher - I was rougher when I was bicarb-ing my hair and I was rougher in that I was brushing it extra because I used a normal brush to detangle and a natural bristle brush to make it smooth and shiny. If anything, I should have had more hair coming out of my head. But I swear, I lost more hair in the 2 months of my No-Shampoo routine than in that one first shampoo wash. NOT HAPPY. I really hope that it's just because of the sudden difference in treatment, and not because shampoo is actually that bad for my hair...
Anyway, something that I thought all through this experiment and still believe now is that the best thing you can do for your hair is a) avoid mistreating it and b) be consistent. My experiment focussed on that first point - avoiding mistreating hair. But I don't really think that shampoo and conditioner are bad for your hair, even though they're definitely harsher on the hair and scalp than bicarbonate of soda and apple cider vinegar are. I think that mistreating your hair is a bit more extreme, like always using products in it or straightening and/or blowdrying it too often. I'm not really going to damage my hair by washing it, anyway. And while it might struggle a little as I go back to a Yes-Shampoo regime, I think in a few weeks it will be the better for it.
In the end, this was a really interesting experiment. I tried some new things, I learnt some things and I went back to my old ways making a few informed differences.
Not shampooing your hair isn't as gross as it sounds - it's just different. It definitely works, I can vouch for that, but it's not for everyone.
I'm currently still using my Herbal Essences shampoo & conditioner because I had some left, but when I use it up I'm planning to use a more environment friendly product - hopefully something that doesn't contain sodium laureth sulfates, but still lathers well and smells great. After all, it's always good to help the environment and all that stuff.
I'm also going to go back to my Dove deep conditioning treatment. Coconut oil works pretty well but it's hard to wash out with shampoo :(
And in other news: coconut oil makes a surprisingly good moisturising face mask. (You gotta experiment with the products you have available, right?)
Hope you found this to be an interesting read :) - I welcome any comments or questions.
♥Nancy♬

10 May, 2012

"Always"


This blog post, you may have noticed, is called "Always." I do not "Always" blog about really sad sucky occurrences but today I am. :(
A month or so ago, I submitted a story to Trove. Trove is a university Creative Writing Journal. It's pretty great. You can (and should) read it here: http://www.trove.arts.uwa.edu.au/
Today I got an email from Trove submissions, in which they shattered my fragile ego (and my heart) into tiny pieces. I'm kidding (mostly). But yeah, they rejected my story submission.
I'm not surprised, for a number of reasons. First and foremost, the story that I submitted is about Robot Unicorn Attack. So... but also I rushed the editing etc. so I guess it's not really that good.
Nevertheless, I promised to post the story here on my blog, so today you guys finally get to read it.
Would you have published it? Let me know in the comments or whatevs?
Enjoy! ♥Nancy♬
"Always" - Nancy Elizabeth White, 2012
Gwed stood calmly in his stall. He heard the other horses snorting in fright, but he stayed quiet. Just yesterday they’d seen a horse - just a normal horse - dragged kicking and screaming out of its musty stall and out of the barn doors. He was not sure why they took away the horses like that. Sometimes they were nags but he’d seen a fresh young colt dragged away once. It broke his heart to think about it. Gwed knew that he had never felt as sad as he did in here, in this barn. But at least he was safe: he was special. A slice of purple-tinged light came through the barn door. The sound of footsteps on grass preceded the appearance of two humans in the doorway. One was wearing a fancy suit and dark glasses; the other wore a white coat and carried a clipboard. As they walked by his stall, Gwed heard the low murmur of human voices float up to his sensitive ears.
 “Another horse dead after only one trial? This is simply unacceptable,” said the one in the suit. Gwed didn’t speak human but he could still hear their voices.
 “We’ll get it right. The serum should work. When it does, we can carry about the procedure on the beast,” the one in the white coat spoke next. The suited human was silent until the white coat one spoke again. “Well, I suppose it doesn’t matter what we call it. It’s never going to get any manlier! Ha...! Ha...”
 “Put it this way,” said the one in the suit, “if this last horse doesn’t perform, we’ll bring in the Percheron and the - what did you call it? - the beast. And then we’ll see some action.”
Gwed tried to look elegant as he stood in his stall. He was sure that the humans were talking about him and he wanted to look worthy of their attention. A nagging voice in the back of his head told him to keep a low profile, that he wouldn’t want to be chosen for this test... but Gwed often ignored the voice in the back of his head, so that was no hardship.
His heart skipped a beat when the two humans stopped outside the stall next to his. He knew the stallion who was kept there, they were friends. And he had hoped, hoped desperately, that perhaps they could be more than friends. Not that he’d really had a chance - who had time for love in a place like this?
Gwed’s heart broke all over again as he heard the screams of his beautiful friend. When they had first brought in Apache Sunrise he’d been fit and strong. Now, he barely even had the strength to struggle. The two humans managed to subdue him and before long he was being dragged out of the barn. The barn door slammed, and the only sound that remained were the echoes of the stallion’s screams. Gwed almost cried.

Two weeks ago, Gwed had been racing through the purple cliffs near his home. He had been wild and free and had loved every moment of his life. Now, in a tiny barn, he struggled to remember the feeling of his pure white mane and tail streaming behind him as he jumped and dashed. He hadn’t even known that the government research facility - which was where he was - had been there amongst the purple cliffs. That was until he’d bumped into their unique weapon, a huge five-pointed explosive, and woken up in the barn with only horses for company.

It was hours before the remaining horses calmed down. Gwed smiled; he was so fortunate, to be so special. He never had to cower and scream and worry the way the horses did. No one would dare to harm him, after all.
A mare said, “is everyone okay?”
 “I’m a little sad,” said Gwed. He spoke horse with a strong accent.
 “We’re all sad, Gwed,” said Pierre Courir, the dapple-grey Percheron stallion with a thick French-horse accent. “Apache Sunrise was a fine stallion.”
 “I liked him,” Gwed said. He heard a nearby stallion snort and felt Pierre Courir’s mysterious gaze on his back.
 “If only we could get out of here, non?” asked Pierre Courir.
 “Don’t get your hopes up, love,” the mare said.
 “Perhaps they will let us out tomorrow?” Gwed suggested.
The mare said, “don’t you get your hopes up either.”
Gwed felt a little awkward. He knew that he was safe here, even though he’d been locked in this smelly barn with all these horses. Horses were such inferior creatures! And yet... Gwed wasn’t quite sure what to think. A part of him, deep down inside, had actually started to care for the horses. He realised that maybe he wasn’t so different from them. After all, they were all locked up together. And he’d had a real connection with Apache Sunrise, one that he hadn’t felt for any other creature in too long a time.
 “Gwed,” whispered Pierre Courir. His French-horse accent was loud in the silent barn.
 “Pierre Courir?” Gwed said. He liked the way the Percheron’s name rolled off his tongue. Apparently French-horse was a little easier to speak than normal horse. Although of course he would have preferred his native tongue, it was just so much more... magical than the crude language of mere horses.
 “Yourself and Apache Sunrise were... close, non?”
 “Yes, we were.” Gwed closed his eyes and continued to talk. “He was taken from me all too soon.”
 “I do not think that I will be taken so soon,” Pierre Courir said, softly. “I think it will be the mare first, and then the other stallion. And then me and perhaps one day you too, Gwed. But I will be here with you for a while, oui?”
 “I hope so,” Gwed said, and raised his head to look over the wall of his stall. And there was Pierre Courir, staring right into his eyes. Pierre Courir had big brown eyes, so much bigger and browner than Apache Sunrise’s eyes. Gwed realised that what he had felt for Apache Sunrise had been nothing more than a foal’s love.
 “Good night, mon cher.” Pierre Courir said. He lowered his head and turned away.
Gwed felt his breath catch in his throat. Perhaps these days locked away wouldn’t be so bad after all. And he knew how special he was - he would surely be rescued soon.

Morning came, and musty light filtered through the barn roof to wake the horses, and Gwed.
 “Think we’ll get fed today?” the mare asked.
The other stallion said, “Gwed will.”
 “Of course I will,” Gwed said. He was confused. He was fed every day. These humans wouldn’t dare deprive him!
 “Gay freak,” muttered the stallion.
 “Homophobe,” muttered Pierre Courir.
 “Don’t even start,” said the mare, “we all need our energy for whatever is coming today.”
Outside, birds began to squawk as the light brightened. The horses fell silent, shuffling their feet or trembling in fear. At one point there had been nearly ten horses in this barn. Now there were only four.
 “What is that noise?” asked Pierre Courir, suddenly. They all strained their ears to hear what he heard.
Everything that happened next seemed to happen all at once, in a flurry of activity. The doors of the barn burst open, wider than the horses had ever seen them. They admitted a stream of purple sunlight so bright that the three horses had to close their eyes and turn against the light. Gwed squinted to see what was coming. The human in the fancy suit was back, wearing dark sunglasses and a permanent scowl. He strode through the barn, followed by a gaggle of humans in two groups: those in overalls and those in white coats. They stopped in unison in front of the first occupied stall: it belonged to the other stallion.
Suit man said, “glue factory. This one will never be strong enough.”
Two of the overalled humans opened the stall and dragged the stallion out of the barn. The suited man and his companions ignored the screams of the terrified horses and walked to the next occupied stall, that of the remaining mare.
 “No!” she cried, desperately backing up against the far wall of her stall.
 “This one too. Tests with mares have been inconclusive.”
She screamed the entire way down the barn. Gwed snorted in fear and knew that the whites of his eyes were showing again.
 “Do not be afraid, mon cher,” cried Pierre Courir to Gwed, “I am still here for you!”
But Pierre Courir’s stall was next in line. The suited man paused outside his stall for a long time, seemingly undisturbed by the fact that the stallion in question was panicking.
 “Take this one to the lab. He may just be the horse we needed to prove that the serum will work as expected.”
 “No!” cried Gwed, as a set of humans in white coats opened Pierre Courir’s stall.
 “Gwed!” cried Pierre Courir. He reared up in fear, trying as hard as he could to avoid the hands and ropes and electric prods that the humans were using to capture him.
As they dragged Pierre Courir down the length of the barn, the man in the fancy suit stopped outside Gwed’s stall. Gwed reared up, screaming in rage. How dare they take away Pierre Courir!
 “Watch out!” said one of the white-coated humans, and they all stepped back. Gwed felt a surge of pride and victory. The horses could only kick or rear or nip or bite. He had an inbuilt weapon!
 “Tranquillise him.” The suit man turned away, pausing only to call back, “I want him in the lab within an hour, conscious or not.”
Gwed rushed at the stall door, head down. He hit the wood with a crash, splintering it, then wrenched himself back so he lift his head to see.
 “Pierre Courir!” he screamed, as his friend was dragged out the barn doors, growing limper by the second.
He felt a sharp prick in his shoulder.
 “Pierre Courir!” he screamed again. “Pierrrrrr Courrrrr...” Gwed found that he couldn’t prevent his voice from slurring. “What’ssssss haaaaaappening to me?” he screeched in utter terror.
As everything went black he thought he heard human voices. “Keep his head tied down. We don’t want him brandishing that horn as soon as he wakes up.”
 “The treatment had better work on the other stallion.”
 “Can’t waste our only unicorn...”
And then the blackness was joined by silence.

Pierre Courir woke first. If he understood human speech, it would have been clear that he had been given a normal horse tranquilliser and was recovering as expected.
Pierre Courir ached with sadness. “Gwed,” he whispered, “je t’aime. Toujours, je veux etre avec toi.

Gwed awoke with aches in body parts he wasn’t even sure were really his own. Worst of all was the aching in his heart, for poor Pierre Courir. He wasn’t worried about his own safety, of course. He was special; they wouldn’t dare hurt him. But Pierre Courir... he was merely a horse!
 “Pierre Courir!” he cried.
Human voices said, “he’s awake” and “check his vitals.” But Gwed didn’t understand human speak. He heard their brash tones and struggled widely against the bonds that held him to...
 “This is an outrage!” he screamed, but the humans didn’t seem to respond.
Gwed’s vision slowly cleared. He was in some sort of white room, on a metal table. It wasn’t the barn. It wasn’t the meadow or the purple cliffs of his homeland. It was a human paradise: clean and clinical and entirely alien; it was a unicorn’s nightmare.
 “Watch that horn,” said a human, as Gwed thrashed under his bonds. Although he couldn’t understand human speech, Gwed knew exactly what the human was trying to say. He thrashed more, trying to scratch someone, anyone, with his horn. He knew the magical properties that it had and was eager to inflict some unexpected consequences on a human! They stepped out of range and proceeded to have a conversation while Gwed flailed futilely.
 “This is ridiculous, we’ll just have to carry on with the data we already have.”
 “But we have no results from the other stallion yet.”
 “Is he ready yet?”
 “Not yet, we’re running low on the serum so we’ll need another horn sample. Hurry it up!”
 “Secure the specimen-”
 “-Unicorn,” a different human interrupted.
 “Just do it.”
Gwed heard the tone in the last speakers voice and felt his whole body tense. It was so final. For the first time in this horrible ordeal, he felt worried. He had always been proud of his optimism. Even in the direst situation, not that a unicorn faced many of those, Gwed had remained calm and happy. So happy. But now, tied to a metal table, separated from Pierre Courir who, he was pretty sure, was the love of his life... Gwed did not feel happy.
 “I just want to live in harmony,” he moaned.
He felt more ropes slither across his body, dragged by these awful humans. He didn’t struggle. He didn’t struggle when a needle pricked him and stole his silvery blood. He didn’t struggle as they scraped his horn with a diamond blade, collecting unicorn horn-flakes in a sterile jar. When another needle pricked his skin, he found that he couldn’t have struggled even if he’d wanted to. The world went black.

Pierre Courir felt groggy and tired, but those feelings were secondary to the intense torture his body was currently under.
 “What’s happening to me?” he cried out. It was as if nobody heard him.
A team of white-coated humans crowded around the Percheron.
 “Heart rate is high, as expected,” one reported.
Pierre Courir could not, of course, understand what the scientist had said, but he knew that it wasn’t words of comfort. He thought about struggling against the bonds that kept him pinned to the cold metal table, but each twitch of a nerve was pure agony.
 “Neural activity normal,” another human said.
 “Serum administered and absorbed: begin preparation for trial one,” said another.
Pierre Courir saw the room spin as the metal table upon which he lay was moved. He cried out in shock as his bonds were tightened. He found himself unable to lift his head from the cold table.
 “Horse status: alive.”
 “Gwed!” he cried out. He latched onto a dim hope: Gwed was special, maybe even special enough that he could rescue him from whatever was going on here.
 “Prepare the mini-star explosive.”
 “Three. Two. One.”
In the split second before pain completely overwhelmed him, Pierre Courir heard a loud bang.

Gwed found himself slipping into consciousness again, grasping onto human voices as if those sounds might pull him from the dark.
 “Trial one is complete. The results are due to arrive in an hour.”
 “They’re moving quickly.”
 “The boss is pushing. He wants the procedure done on the unicorn as soon as possible.”
 “What is he hoping to achieve?”
 “New weaponry- woah! There’s a spike in the heart-rate, sedate him again, quick!”
Gwed didn’t feel the needle slide in. He barely felt himself slide back out of consciousness.

Pierre Courir still felt groggy and tired, but again he was preoccupied by the intense torture his body was currently under.
 “Why am I still here?” he cried out. But of course, there was no reaction: again, it was as if nobody had heard him.
A team of white-coated humans crowded around the Percheron.
 “Heart rate is within a normal range. Higher than last time,” one reported.
Pierre Courir knew that those were not words of comfort. He took a breath and gathered all of his strength to try to wrench himself from the cold metal table. Even the thought of that much movement was pure agony.
 “Neural activity is stable, but unusual,” another human said, “have a look at this chart.”
 “Not a problem, we expected that. The unicorn is likely to react differently, according to the analysis on the horn. Begin preparation for trial two.”
Pierre Courir felt movement around him as the metal table upon which he lay was moved. He cried out in shock as his bonds were tightened. He found himself unable to lift his head from the cold surface.
 “Serum re-administered. Horse status: alive.”
 “Gwed!” he cried out. He latched onto a dim hope: maybe Gwed would rescue him from what was happening here.
 “Prepare the mini-star explosive.”
 “Three. Two. One.”
In the split second before pain completely overwhelmed him, Pierre Courir heard a loud bang.

Pierre Courir awoke once more, feeling groggy and tired. Through a haze of intense pain, he wondered if he could escape.
A team of white-coated humans crowded around him.
 “Heart rate is normal,” one reported. “The horse seems much calmer this time.”
Pierre Courir ignored the human voices and concentrated. He was about to enact an escape plan. He was in pure agony, but somehow he felt strong.
 “Hmm, look at this.”
 “Re-administer the serum and prepare to record all results.”
Pierre Courir barely felt the needle prick his skin, but he definitely felt the result! A tingling feeling rushed through his body, making him shiver under his bonds. He felt strong and powerful and special. He felt as though he could fly, or dance through the air, or jump as high as a rainbow. The pain was gone.
 “Get the print out. Good, results are as expected. Unicorn horn serum one hundred per cent absorbed. Prepare for the final trial.”
Pierre Courir felt movement around him as the metal table upon which he lay was moved. He stayed calm as his bonds were tightened, secretly confident that he could escape. In just a moment he would leap into action, leave this place and find Gwed.
 “Horse status: alive.”
 “I’m coming, Gwed!” Pierre Courir whinnied.
 “Prepare the mini-star.”
 “Three. Two. One.”
Pierre Courir heard a loud bang.
 “Horse status: dead.”

“It’s time. Carry out the procedure on the unicorn.”

Gwed jerked awake. As he struggled to raise his head from the metal table, he heard the creaking and groaning of metal plates, felt the slide of oiled metal inside his neck and quickly realised that something wasn’t right. He thrashed wildly and heard the sound of metal grating as he moved his legs.
 “What is this?” he cried, and then his eyes rolled in fear as he heard the metallic timbre in his voice.
He swished his tail agitatedly and felt it tingle. That’s when he noticed that he could, in fact, see his forelock. It had grown long while he’d been kept captive - usually he kept it perfectly groomed. And usually it was white. But now it tingled and pulsed in rainbow colours.
 “My hair!” Gwed shrieked!
The shock of seeing what had happened to his beautiful mane and tail hit him deeply. But all that faded when his eyes focussed enough to see what had been done to his body. His fine hairs were gone, his once pure-white skin was no longer... well, it was no longer even skin. Gwed stared in horror at the metal plates that now made up his legs.
 “Vitals are normal, brain activity as expected,” said a scientist.
Gwed slowly started to focus on the room around him. It was sterile in white and silver, and he was still tied down to the metal table. Next to him, there was another metal table.
At first, Gwed could barely make out the shape of the creature that lay on the operating table beside him. Something about it tugged on his heartstrings and he stared and stared. The details slowly crystallised. It was a horse. He liked horses; they were almost as lovely as unicorns like himself. Not as special, of course, but this one was holding his attention. It was a Percheron, he realised. Such a majestic creature, the Percheron. They usually spoke horse-French; it was such a sexy dialect. He even knew this Percheron’s name, what was it...
 “Pierre Courir,” whispered Gwed, and finally woke up.
 “There’s a spike in heart rate and neural activity, can we sedate him?” said a scientist.
 “The plates are going to make that difficult,” said another.
 “Pierre Courir,” screamed Gwed, trying to wish his lover into life again. But Pierre Courir didn’t stir, and Gwed felt something deep and primal snap inside him.
He strained against his bonds and made up his mind to take the last available course of action.
He took a deep breath. He felt his metal organs pumping away inside his new metal body. His mane and tail tingled as rainbow colours washed through the fibre optic hairs.
 “Pierre Courir,” he said, in the ancient language of the unicorns.
And then he dashed.

At the peak of a unicorn’s health and life, its dash can crash through small trees, through soft rocks, through human constructions with wooden walls and fabric banners. But when a robot unicorn attacks, with its powerful dash, that is a very different thing.

When Gwed dashed, he broke through the bonds that held him to the operating table. He dashed through the walls of the high security government science facility that housed him. He burst out into a new world, a place tinted with purple and full of fear and danger.
All the while he was spurred on by one thought, “Pierre Courir.”

Of course, the science facility weren’t going to let their unicorn go that easily. Although Gwed seemed to be unstoppable, they managed to contain him in a maze. They set up five-pointed explosives in the hopes of defeating the robot unicorn that they had created. Still, Gwed had three lives to use - three chances to wish and wish again for his beloved Pierre Courir to return.

And maybe one day, if Gwed runs fast enough and far enough, he will get his revenge and be reunited with Pierre Courir when, eventually, he runs out of wishes.

Acknowledgement: this story was inspired by Adult Swim TM’s computer game “Robot Unicorn Attack.”

21 April, 2012

A Story About a Prince or Something


Soooooooooo... I maybe failed at my New Year's Resolution. Did I tell you about that resolution, devoted blog-readers who will remember these things? Well, maybe. Anyway, the resolution was to blog at least twice a month.
How many times did I blog during March? Yeah, none. FAIL.
But anyway, I figure if I just keep on keeping on then maybe people will still love me even though I'm a massive failure at New Year's Resolutions? (Please love me :3 )
So here, I am, sharing some substandard writing with you, just like always!
I wrote this one during work. I challenged my student to write a page-long story in 15 minutes. He didn't do very well. Maybe because I told him that he had to include a train in the story, so that was a bit tricky.
So... read this:
Once upon a time, a prince sat in a train as it rushed along the tracks on its way to the castle. It was an old train, with a steam engine and a high-pitched whistle. The carriages were wood-panelled and carpeted and furnished in rich colours, just right for a prince. The prince sat in an armchair, his sword laying across his knees, with a glass of whiskey resting lightly in his hand.
 “Your Highness,” said an attendant, dressed in crisp white, who stood beside the prince, “the train is about to arrive at our destination.”
The prince sighed deeply and drained the whiskey from his glass in a single mouthful.
 “Perhaps you ought to start calling me Your Majesty,” he said, with a voice full of sadness and regrets.
With a shrill whistle, the train arrived at the castle and, in a great procession of attendants and courtiers, the prince disembarked. Up on a high balcony of the castle he saw his mother, adorned in black, weeping as her son made his entrance. Though it took much determination, he steadfastly ignored her.
A golden throne stood before the gleaming marble castle. With movements slow and dignified, the prince knelt before the golden throne.
 “As the father passes,” a priest intoned, “so does the crown pass to the son. Arise, Your Majesty, and take your crown.”
The prince stood slowly, then bent his head again to take the crown. It was wrought of gold and encrusted with rubies; it was the heaviest thing he had ever worn. Inside, he ached for the crown to be replaced again with his shining silver helm: even the clamour of battle would be preferable to the weighty silence of this coronation.
 “I pronounce you king of the realm. All hail the new king!” cried the priest.
Out of duty alone, the prince-made-king stood tall and faced the populace. His mouth smiled, his arms went wide as if to embrace his people. While they cheered, the new king’s heart wept bitterly for his father.
Aaaaaaaaaaand that's it. It's not great or anything but, hey, at least I'm writing, right? :P Also, while I was typing it I really wanted to add the word "dais". But I couldn't be bothered actually improving the work at all, so... yeah. #lazy
As always I'd appreciate some comments. I kinda feel like there’s more of a story behind this prince and his family and stuff. What do you think? Do you think it’s a story worth telling? Anyway, feedback yes plz?
Also, if you've read this far you get some AWESOME NEWS which is that I submitted a story to Trove, which is a creative writing journal. Here is the journal: http://www.trove.arts.uwa.edu.au/ I'm not on there or anything, because a) I have no idea yet if they're actually going to use my work and b) the issue that I submitted to has not been released yet. But *fingers crossed* they might possibly like my story and *even more fingers crossed* they might think it's worth publishing. So that would rock.
The story is my Robot Unicorn Attack origins story. I'm going to put it up here on this blog but I won't be doing that until I know whether or not they want to publish it in Trove. Either way, you'll get to read it.
Thanks for reading! :)
♥Nancy♬